I'm glad "Kath and Kim" is getting an airing (my daughters gave me that set and also "John Saffron Takes on God" series for last Christmas - they know me!)- but how much of it has had to be changed? "The Castle" and other Oz comedies had to be changed quite a bit before they could jump the cultural gap.
I don't think they change KATH & KIM. As for THE CASTLE, I blame that on Warner Bros. or whoever its American distributor was.
You are well aware that they ADR'd (Additional Dialogue Redorded) MAD MAX back in the day with American actors - you know - because they assumed folks wouldn't know that a windscreen and a windshield were one in the same
I literally counted the differences in the dialogue and they totalled 5; all of which would have been easily figured out by anyone confused, simply by context of use!
Really! It took over 25 years before Americans could hear the film with its original, synch sound version.
I blame American International Pictures (its distributor at the time) for that. Meanwhile, STONE, from around the same period - was released with its original Oz flavoring (by another distributor).
But would you seriously contend that American programmers (gov't sponsored ones included) don't reinforce stereotypes of minority groups in America, of Mexicans, Colombians etc etc? Truly?
The government sponsored ones? Nah. In fact, if you google Ken Burns' THE WAR and recsearch the controversy around it, you'll see that they actually made him rework the film because he inadvertantly neglected the entire contribution Latino Americans made in the war effort (WWII). PBS does its best to respect diversity. Heck, SESAME STREET is a PBS production.
We only have one public television channel, and it's relayed through regional offices that decide which of the publically funded programs it will broadcast. It's under so many magnifying glasses from so many political pressure groups that they go out of their way to be all things to all people.
However, the privately owned networks (one of which is owned by an Ozzie - Rupert Murdoch & FOX) are answerable only to adertising dollars and the FCC. The FCC don't enforce fair representation. Just the Geroge Carlin seven dirty words, nudity, graphic violence and a lot of technical specs and licensing that have noting to do with content, for the most part).
Still, that is another can of worms and is a domestic issue veering from the issue at hand.
Because watching a program like Apocalypto made my Mexican friends ANGRY - their view was that the history was stuffed up and the Mayans didn't come off looking OK as a group either. Even directed by Mel Gibson (a man not known for his tolerance)it was still funded by US business interests convinced enough people would want to see it to make money from it.
Gibson's company - ICON - has its financing came from Australian, German and American interests, actually. Just pointing out a fact. I also believe an overwhelming majority of Americans didn't see the film. I know I haven't, but I try not to give my money to anti-semites. The premise was interesting.
Governments DO consciously support stereotyping of different groups to gain support for both domestic and foreign policies. AND the average citizen BUYS it - lock stock and barrel.
That's over simplification of it. Many average citizens in my country can't "buy anything," be it literally or figuratively in the United States. They're too busy trying to stay alive and provide the basics. As the situaton in Iraq, the horrifying, deliberate "let them eat cake" handling of post-Katrina New Orleans, and the recent Scooter Libby fiasco have proven: we don't run our government. It runs us.